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Broadcast Journalism

I’ve always loved delivering great stories to the public.

As a kid I considered the life of a rock star, Hollywood director, and professional daredevil. However growing up in New England no global celebrity was more important than our local weatherman. When you are 8 years old nothing is as vital as school being cancelled because of a blizzard. Great story. Therefore I watched our local news religiously.

Perhaps that’s how it started.

Watching our local news evolved into watching World News every night as well. So no matter how appealing the idea of touring with U2 was (and still is), Tom Brokaw dissecting Iran Contra was an addictive unfolding daily drama that couldn’t be missed.

I have a fascination with movies, Rock & Roll, and great TV (Twilight Zone anyone?) but watching the coverage of the Berlin Wall coming down, LIve Aid, and the Space Shuttle disaster was riveting, real, and historic. It felt like I had to watch these events.

At that time I recognized that the lines of various media disciplines were starting to blur. Who was this Oprah person that started in local news, acted in Steven Spielberg’s The Color Purple, then morphed into the queen of her own media empire?

How is 60 minutes always entertaining and informative?

In college I had no choice but to study television and film.
I’m a lucky guy… I got out of school and landed on MTV.

“Here’s a studio kid, now interview Jodie Foster”.
“It’s Woodstock 2 and we’re live around the world”.
“There is Mayor Giuliani – go ask him some questions”.

Every time I worked with MTV News my adrenalin flowed. My film professor called me as he was watching me cover New Years Eve from Times Square and said: “Sencio, you are a bona-fide journalist”. He must have been guzzling champagne. Even if my film professor was lit, and even if at that time I felt it was absurd to describe me as a “bona-fide journalist”, he recognized something – I loved delivering news.

I’ve found myself in the fortunate position of participating in a wide variety of television productions. Just when I think: “maybe I’ll call David Letterman and ask if I can be a Luke Skywalker to his Yoda” another news jobs enters my life and I’m hooked. I also recognize the immediate, important impact that telling true stories has on people’s lives – not just the lives of the subject… but also of the viewer. When NBC hired me to be one of the Reporter/Anchor’s of “Home Delivery” I witnessed this phenomenon regularly.

Our media landscape is very different then it was growing up in the 80's – the various styles of broadcasting are rapidly weaving together. When I started on MTV I briefly shared a dressing room with Jon Stewart (there is a joke there somewhere). We shot at different times of the day so I didn’t see him much - I was the “new kid” and he was getting ready to leave the channel and find tremendous success. Stewart was an obvious talent, funny, quick and a nice guy… but I would have never imagined a decade later that the president of CBS, Les Moonves, would publicly suggest him as a possible replacement for Dan Rather… before settling on Katie Couric. I’m not saying this because I don’t think John Stewart couldn’t do the job (he’d probably do a fantastic job) but there was a time when this type of suggestion was inconceivable. The impresario of The Daily Show on Comedy Central being considered as the anchor of the CBS Evening News? Wow. To me, nothing illustrates the massive transformation of broadcast journalism like this does.

So here we are now, in a 24-hour cable news world that’s influenced by the relentless proliferation of the Internet. Humans crave the news… and now we get it, if we’re in the mood or not, second by second. In a democracy, covering the news with integrity is crucial. “Freedom of the press” is vital in an unstable world. The fact that the news is now seen as "entertainment" does not mean contemporary broadcast journalism is any less important or genuine… it simply means more people enjoy watching.